The so-called "male gaze" implies a paradigm that divides the pleasure of watching into an active masculine dimension of looking and a passive feminine dimension of being looked at. In order to establish this binary logic, traditional cinema initially hides the fact of the camera's gaze. Entirely in line with the tradition of feminist filmmaking, TRANS*GAZE breaks with this convention from the start: We see backstage lighting, stage markings and accessories. The subjects speak expressively and convincingly about what Jack Halberstam describes as "queer time and space" as they look directly into the camera: trans*gaze.